MENU
Bronze; signed Gemito and stamped with the Gemito Fabrication seal and foundry stamp
34.2 cm high
PROVENANCE
The artist’s collection;
And by descent to his daughter, Giuseppina Gemito;
By whom sold in around 1939;
Private collection Italy;
With Robert Bowan, London;
Consigned to Sotheby’s London for private sale in June 1999;
Where acquired by Sheldon and Irma Gilgore, Naples, Florida;
And by descent.
EXHIBITED
Milan, Castello Sforsezco, Catalogo della mostra di sculture e disegni di Vincenzo Gemito, April 1938, pl.V (illustrated).
The art of Vincenzo Gemito was shaped by two powerful influences: the legacy of classical sculpture and the vibrant street life of his native Naples. His remarkable achievement lay in fusing these seemingly disparate sources into works of striking originality. The statuette Young Neptune stands as a supreme example of this synthesis.
Although he briefly studied at the Naples Academy of Fine Arts, Gemito was largely self-taught. His greatest source of inspiration was the Museo Archeologico Nazionale di Napoli, whose renowned collection of classical sculptures and antiquities from Pompeii and Herculaneum he studied intensely. Gemito reinterpreted these revered forms, infusing them with vitality drawn from contemporary Neapolitan life.
Deeply concerned with the technical processes of sculpture - modelling, casting, and chasing - Gemito even established his own foundry, inspired by the Renaissance master Benvenuto Cellini. After a meteoric rise, however, he suffered a mental crisis in the late 1880s and withdrew into near-total isolation for about twenty years, producing only drawings. When he re-emerged around 1909, his style had evolved: softer modelling gave way to sharper line and intricate detail. He also turned to silver and goldsmithing, skills that informed his renewed work in bronze.
The Young Neptune was among the first masterpieces of this later period. The spiralling composition conveys remarkable movement, as if the youthful sea god leaps from the waves. The animated modelling and exquisitely refined surface lend the work a magical vitality, recalling Gemito’s earlier Neapolitan youths while transforming their realism into something more lyrical and enchanting.
Cast and finished by Gemito himself, the sculpture remained in his personal collection until his death in 1929, later passing to his daughter Giuseppina. Drawings dated 1907 and 1909 confirm the development of the composition, and a letter from 1911 records the completion of a related silver-gilt version. Among the known casts in wax, bronze, and silver, this example ranks among the finest.
Bronze; signed Gemito and stamped with the Gemito Fabrication seal and foundry stamp
34.2 cm high
PROVENANCE
The artist’s collection;
And by descent to his daughter, Giuseppina Gemito;
By whom sold in around 1939;
Private collection Italy;
With Robert Bowan, London;
Consigned to Sotheby’s London for private sale in June 1999;
Where acquired by Sheldon and Irma Gilgore, Naples, Florida;
And by descent.
EXHIBITED
Milan, Castello Sforsezco, Catalogo della mostra di sculture e disegni di Vincenzo Gemito, April 1938, pl.V (illustrated).
The art of Vincenzo Gemito was shaped by two powerful influences: the legacy of classical sculpture and the vibrant street life of his native Naples. His remarkable achievement lay in fusing these seemingly disparate sources into works of striking originality. The statuette Young Neptune stands as a supreme example of this synthesis.
Although he briefly studied at the Naples Academy of Fine Arts, Gemito was largely self-taught. His greatest source of inspiration was the Museo Archeologico Nazionale di Napoli, whose renowned collection of classical sculptures and antiquities from Pompeii and Herculaneum he studied intensely. Gemito reinterpreted these revered forms, infusing them with vitality drawn from contemporary Neapolitan life.
Deeply concerned with the technical processes of sculpture - modelling, casting, and chasing - Gemito even established his own foundry, inspired by the Renaissance master Benvenuto Cellini. After a meteoric rise, however, he suffered a mental crisis in the late 1880s and withdrew into near-total isolation for about twenty years, producing only drawings. When he re-emerged around 1909, his style had evolved: softer modelling gave way to sharper line and intricate detail. He also turned to silver and goldsmithing, skills that informed his renewed work in bronze.
The Young Neptune was among the first masterpieces of this later period. The spiralling composition conveys remarkable movement, as if the youthful sea god leaps from the waves. The animated modelling and exquisitely refined surface lend the work a magical vitality, recalling Gemito’s earlier Neapolitan youths while transforming their realism into something more lyrical and enchanting.
Cast and finished by Gemito himself, the sculpture remained in his personal collection until his death in 1929, later passing to his daughter Giuseppina. Drawings dated 1907 and 1909 confirm the development of the composition, and a letter from 1911 records the completion of a related silver-gilt version. Among the known casts in wax, bronze, and silver, this example ranks among the finest.