Arte + COLLEZIONISMO

19 September - 23 September

Saltimbanco after the Performance 1874
Antonio Mancini (1852 - 1930)

Saltimbanco after the Performance 1874

Louis Cretey is a highly individual exponent of one of the most anticlassical, non-conformist and eccentric expressions of Baroque painting.

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MADONNA AND CHILD WITH SAINTS JOHN THE BAPTIST AND JEROME 1516
GIOVANNI LUTERI, CALLED DOSSO DOSSI (c. 1486 – 1541-2)

MADONNA AND CHILD WITH SAINTS JOHN THE BAPTIST AND JEROME 1516

With its spirited execution and prescient sense of eccentric Romanticism, this newly discovered canvas is a superb addition to the oeuvre of Johann Heinrich Schönfeld. Praised for his inventive history paintings and singularly refined style, Schönfeld was unquestionably one of the great artists of the German baroque.

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MADONNA AND CHILD WITH SAINTS JOHN THE BAPTIST AND JEROME 1516
GIOVANNI LUTERI, CALLED DOSSO DOSSI (c. 1486 – 1541-2)

MADONNA AND CHILD WITH SAINTS JOHN THE BAPTIST AND JEROME 1516

FRANCESCO MONTELATICI, CALLED CECCO BRAVO (1601 - 1661)

PRESENTATION OF MARY TO THE TEMPLE c.1653

This marble sculpture of Puck, the mischievous sprite from Shakespeare's A Midsummer Night’s Dream, together with his companion figure of Will-o’-the-wisp, was the American artist Harriet Hosmer's most popular composition. Hosmer was one of the most successful female artists of the 19th century and spent most of her life living and working in Rome. There she was a leading figure in an important group of women artists known as the ‘sisterhood of American lady sculptors' who expressed their feminist and anti-slavery views through the neoclassical sculptures they produced.

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PRESENTATION OF MARY TO THE TEMPLE c.1653
FRANCESCO MONTELATICI, CALLED CECCO BRAVO (1601 - 1661)

PRESENTATION OF MARY TO THE TEMPLE c.1653

This marble sculpture of Puck, the mischievous sprite from Shakespeare's A Midsummer Night’s Dream, together with his companion figure of Will-o’-the-wisp was the American artist Harriet Hosmer's most popular composition.

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No items found.
No items found.
No items found.
THE CALLING OF SAINT MATTHEW A BOZZETTO FOR THE CALLING OF SAINT MATTHEW IN SAN MARCO EVANGELISTA AL CAMPIDOGLIO, ROME c.1743
Carlo Monaldi (16911 - 1760)

THE CALLING OF SAINT MATTHEW A BOZZETTO FOR THE CALLING OF SAINT MATTHEW IN SAN MARCO EVANGELISTA AL CAMPIDOGLIO, ROME c.1743

No items found.
Saltimbanco after the Performance 1874
Antonio Mancini (1852 - 1930)

Saltimbanco after the Performance 1874

MADONNA AND CHILD WITH SAINTS JOHN THE BAPTIST AND JEROME 1516
GIOVANNI LUTERI, CALLED DOSSO DOSSI (c. 1486 – 1541-2)

MADONNA AND CHILD WITH SAINTS JOHN THE BAPTIST AND JEROME 1516

PRESENTATION OF MARY TO THE TEMPLE c.1653
FRANCESCO MONTELATICI, CALLED CECCO BRAVO (1601 - 1661)

PRESENTATION OF MARY TO THE TEMPLE c.1653

THE CALLING OF SAINT MATTHEW A BOZZETTO FOR THE CALLING OF SAINT MATTHEW IN SAN MARCO EVANGELISTA AL CAMPIDOGLIO, ROME c.1743
Carlo Monaldi (16911 - 1760)

THE CALLING OF SAINT MATTHEW A BOZZETTO FOR THE CALLING OF SAINT MATTHEW IN SAN MARCO EVANGELISTA AL CAMPIDOGLIO, ROME c.1743

OLD MAN AS A VAGRANT, OR ‘PITOCCO’ c.1735
GIACOMO CERUTI KNOWN AS IL PITOCCHETTO (1698 – 1767)

OLD MAN AS A VAGRANT, OR ‘PITOCCO’ c.1735

PORTRAIT OF AN OLD MAN 1873
RUBENS SANTORO (1859 - 1941)

PORTRAIT OF AN OLD MAN 1873

Padre Lupo I
Duilio Cambellotti (1876 – 1960)

Padre Lupo I

A RECTANGULAR PIETRE DURE PLAQUE DEPICTING A PARROT ON A BRANCH
FLORENCE (late 17th or early 18th century)

A RECTANGULAR PIETRE DURE PLAQUE DEPICTING A PARROT ON A BRANCH

A PAIR OF PIETRE DURE PLAQUES OF PARROTS ON BRANCHES
FLORENCE (late 17th or early 18th century)

A PAIR OF PIETRE DURE PLAQUES OF PARROTS ON BRANCHES

Girl in profile 1913
Vincenzo Gemito (1852 – 1929)

Girl in profile 1913